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TAKE ME ALL THE WAY STACY LATTISAW RAR FREE
But the buy one/get one free bunco booth schtick worked, and for the next couple of years two-for-one (and a half) became standard practice.Īdded to this is…well, a glance at the track listings may startle you, since despite some overlap with previous compilations (notably The Best Disco Album In The World), it really is a strong selection of music. Ronco itself had not had a number one album in some eight years (the That’ll Be The Day soundtrack). This marketing trope was necessitated by the fact that, by 1981, TV-advertised compilations, though still selling, weren’t quite selling as much as they used to. In fact, Ronco were cheerfully conning you into buying a double album at a slight discount. If you want the “full story,” there really is no alternative to finding the 12” mixes of all (or most) of these thirty-two songs.īut you may look at the £5.49 retail price and, if you remember the times, scratch your head and do a double take hang on, didn’t albums routinely cost £3.49, or £3.79, or £3.99, or at the very worst £4.29, in 1981? And despite the “free” offer, there was no way you could buy Disco Daze and not get Disco Nites neither record was ever available separately (interestingly, the catalogue numbers suggest an eleventh-hour reversal of priorities Disco Nites is RTL 2056 A, and Disco Daze RTL 2056 B). In actual fact, there is not much interference with the titles as originally released – there’s certainly nothing like the random hacking of verses or early fadeouts that you get on, say, Disco Fever, and to these ears “I Feel Love,” for instance, is present in its five minutes and 55 seconds totality (the same length as “Bohemian Rhapsody” and “I’m Not In Love” someone ought to write an essay on the importance of nearly but not quite exceeding six minutes). Or the sleeves themselves with their semi-careless misprints (“Stacey Lattisaw,” “The Stomp”), their near-complete absence of information, and the microscopic warning: “To ensure the highest quality reproduction, the running times of some of the titles as originally released have been changed.”
TAKE ME ALL THE WAY STACY LATTISAW RAR TV
If you are of a certain age you may well remember these records being advertised on TV by an excitable Tommy Vance, looking for all the world like it was still 1975, breathlessly instructing viewers to go get them now – buy one, get the other free, all for just £5.49. You may not get past the minimalist sleeve designs (Acrobat Design Ltd/John Anderson), both of which appear identical – a shadow of a dancer, or vice versa, projecting herself within the Washington Monument, or perhaps a paradigm of the Shard (seen at certain viewpoints across London at the right time of day and with the right weather conditions, the Shard in profile can look awfully like these covers). Perhaps you may already have looked at the covers of these albums – wait a minute, “albums” as in plural, as in, more than one of them? – shrugged your shoulders and continued to wait for others to come along. While I do not recommend this as a matter of routine ( Stars On 45), it is oddly noble that you might feel inspired to seek the records out, make your own sense from them. I am aware that many of you are collecting, or downloading, these albums as I go through them.
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& The Sunshine Band)/Stuff Like That (Quincy Jones)/Searching (Change)/More, More, More (Andrea True Connection)/Rapp Payback (James Brown)ĭisco Nites: Intuition (Linx)/Knock On Wood (Amii Stewart)/Ain’t No Stoppin’ Us Now (McFadden and Whitehead)/Jump To The Beat (Stacy Lattisaw)/Stomp (Brothers Johnson)/It Makes You Feel Like Dancin’ (Rose Royce)/Funkytown (Lipps Inc.)/Instant Replay (Dan Hartman)/Le Freak (Chic)/(Somebody) Help Me Out (Beggar and Co.)/Ring My Bell (Anita Ward)/Get Down (Gene Chandler)/Lady Marmalade (LaBelle)/Everybody Get Up (UK Players)/Can You Feel The Force (The Real Thing)/December 1963 (Oh, What A Night) (Four Seasons) Disco Daze: I Feel Love (Donna Summer)/Contact (Edwin Starr)/And The Beat Goes On (The Whispers)/I Owe You One (Shalamar)/Don’t Push It, Don’t Force It (Leon Haywood)/Bourgie, Bourgie (Gladys Knight and The Pips/One Nation Under A Groove (Funkadelic)/Ain’t Gonna Bump No More (With No Big Fat Woman) (Joe Tex)/Southern Freeez (Freeez)/Rapper’s Delight (Sugarhill Gang)/He’s The Greatest Dancer (Sister Sledge)/Queen Of Clubs (K.C.